YES TO ALL – “Requiem”: Three tracks to pressure, one clear peak-time pivot

Fourth release in, YES TO ALL—the joint force of D-Formation and Alex Medina—lean into precision over spectacle. “Réquiem” is the slow squeeze: low-end authority, tensile percussion, and murmured vox that read like club memory rather than chorus. It’s engineered for that 4 a.m. hinge when a room collectively tightens and the lights feel further away. Flip to “Crescendo” and the duo slip into a lean house gait—stacked claps, classic-coded vocals, a clean, rising arc—keeping the weight without bloating the mix. All signal, no filler. (Release details per the YTA004 press note. )

Give the spotlight to Aiwaska. His “Réquiem” remix doesn’t grandstand; it optimizes. The bassline hits harder, the groove snaps into a turbo-efficient house/tech-house frame, and those glitch-touched vocal shards ventilate the space so the drop lands cleaner. It’s peak-time not because it shouts, but because it locks dancers into an eyes-closed loop and refuses to let go. In a campaign where the originals already speak fluently, this rework is the quiet ringer—built for big rooms, built to last, and worthy of equal billing.